Seasons & episodes
S4 · E25Comrades VI: Pacific Outpost 1986-08-05
Frontline gained unique access in filming the inner workings of the local government system in Nakhodka, a town six thousand miles and seven time zones from Moscow. Here, Frontline profiles the workaholic lifestyle of Tatyana Naumova, a communist zealot and town official in Nakhodka, and the tensions it creates with her husband, who cares for their two daughters.
S4 · E26Comrades VII: Steel Mill Soccer 1986-08-12
Frontline profiles the lives of players on a factory soccer team in the southern Soviet Republic of Azerbaijan as they fight for the town championship.
S4 · E27Comrades VIII: Doctor in Moscow 1986-08-19
Svyatoslav Nilolaevich Fyodorov is an outspoken and provocative eye surgeon whose surgical technique for correcting nearsightedness has made him famous. He lives like a superstar with a chauffeur, a sumptuous apartment in Moscow, and a house in the country. Frontline follows Fyodorov through his day and reveals what life is really like for privileged Soviet Citizens.
S4 · E28Comrades IX: Baltic Chic 1986-08-26
No episode summary available yet.
S4 · E29Comrades X: Soldier Boy 1986-08-26
For the first time on Western television, Frontline details a recruit's life inside a Soviet Army barracks. Frontline cameras follow Valera Krylov, 18, through the exertion and boredom of basic training in the military and focuses on his parents, who worry that in the next two years he may be fighting in Afghanistan.
S4 · E30Comrades XI: October Harvest 1986-09-02
The Kulinich family lives and works on a collective farm in southern Russia. Frontline follows the Kulinichs through their daily lives during harvest time and takes a close look at the workings of the collective farm system to find that they, like many other Russian peasants, have discovered their own version of the Communist way of life-Leninism with loopholes.
S4 · E31Comrades XII: Leningrad Movie 1986-09-09
Soviet film directors have one advantage over Westerners: the state takes care of the budget. But in return, the state expects firm control over all productions. Dinara Asanova, one of the few female directors of Soviet features, knows how to bend the rules-departing from approved scripts and changing characters and locations, with controversial results.